Last Friday I was FINALLY able to attend Brisbane's most iconic cabaret experience at this year's Women In Voice production at the Judith Wright Centre Of Contemporary Arts.
Women In Voice is not just a song concert, it celebrates females in the music and entertainment industries for their talent and hard work. Now in it's 23rd year, WIV has become an institution for Brisbane women to create and celebrate together.
With such a rich history of incredible talented having blessed the stage of previous WIV performances, I've wanted to attend the show for some years now.
I had never actually watched a performance at The Judith Wright Centre before either, despite having been to the venue on several occasions. Upon entering the theatre, I was impressed. There were dim red candles upon round tables in the front half of the room - very cabaret - and tiered seating beyond that to ensure everyone had a good view.
Emcee Judy Hainsworth kicked the night off with a song about the ups, downs and craziness that 2016 has offered us so far. Donned in a ghastly neon leotard with ruffles and frills, she was an absolute hoot. Judy guided us throughout the whole show introducing each act and performing a few numbers on her own including a song outlining the anxieties of an audition and a number about regional touring; all very entertaining and relatable for many of the industry based audience.
The first to perform her segment was WIV newcomer Alicia Cush. Alicia brought grace and professionalism to the stage as she guided us through a set inspired by home. She wore a flattering navy off-the-shoulder dress as she sung everything from jazz and blues to country with a touch of opera. She also played the accordion and a flute during her performance and sung in French(?)! Alicia was able to show her diverse talent and remarkable voice with a refreshing elegance.
Leah Cotterell wowed the audience next with her opening number as she took the stage wearing a graduation gown - indicative of her enormous education and qualifications - wailing an african american song that was as intriguing as it was impressive. She definitely had a unique set of pipes and was able to show the crowd everything she could do in a few short songs. What was also great about Leah was her remarkable sense of humour and personality.
Unfortunately Sahara Beck was out ill for the night so WIV alumni Bethan Ellsmore stepped in last minute to fill her spot. Despite having short notice she sung a flawless set with her captivating and unique voice. She was an absolute vision on stage with her rockabilly style and flaming red hair as she sung her way through some older jazz numbers.
Before the night concluded, Alison St Ledger hit the stage for her retro boogie inspired performance. She started off in a black dress narrating elements of the boogie and before we knew it she had a costume change and was dressed in an all-white suit complete with platforms and flares. Many people rose from their seats unable to resist the funk as Alison brought a unique and enjoyable energy to the stage.
Before the night ended, all five women returned to the stage for a final number and encore paying tribute the band, stage and lighting crew and the audience.
It was a memorable night of laughter, talent and joy. I dare say not a negative word was uttered in the crowd; they all loved it.
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